Late summer, Queen Ann’s lace, but not the Lusitania

Figure 1 - Queen Ann's lace at Lusitania Meadow, Cambridge, MA. (c) DE Wolf 2014.

Figure 1 – Queen Ann’s lace at Lusitania Meadow, Cambridge, MA. (c) DE Wolf 2014.

As I have mentioned we are in the last glory days of summer. It is just over a week before the Equinox, the point when the Sun crossed the celestial equator and is midway between its highest point in the sky and its lowest, and this bathes us in a magical September light.

The hot days of July and August have browned the world just a bit. But late summer’s coolness has revived the flowers, particularly the roses. These are now displaying one last beautiful burst before winter.

All summer I have been walking at noontime at the Fresh Pond Reserve in Cambridge, watching the birds, especially the green herons at Black’s Nook and admiring the water and the wild flowers. Every path off of the pond’s perimeter takes you somewhere unique, interesting, and beautiful. Every locale slowing metamorphoses with the calendar’s progression.

I have been particularly intrigued by a place called Lusitania Field or Meadow. This is just a magnificent wildflower garden, just left, or so it would seem, to the whims of nature. But I suspect the hand of the volunteer keepers of the reserve are at work here. Tall masses of daisies, black-eyed Suzies, golden rods, and Queen Ann’s lace abound. Unlike most of the reserve this meadow is subject to an intense sunlight and as a result is a favorite spot for sitting on a bench and having lunch or pushing baby strollers. Dogs chase balls, and yesterday I watched a man submerge himself in grass and flowers retrieving a tennis ball for a grateful terrier. The man emerged covered in nettles and probably ticks.

The Queen Ann’s lace has mostly shriveled up to intricate spheres of withered plant tissue, and yesterday I was struck enough by one of these to attempt to photograph it despite the fact that I had “the wrong lens” with me, my 70 to 200mm and no monopod. This is shown in Figure 1. To my view it came out pretty well, and the shallow depth of focus gave me some lovely bokeh. I am hoping in a small way that it captures the light of September and the gentle warmth of the day. I have used a subtle sepia tone.

All summer long I have been laboring under the misbelief that Lusitania Meadow was named in memory of the souls lost on the Lusitania. You can search online the Cambridge newspapers of the day and read the scathing editorials about the brutality of the event. I imagined the sober citizens cantabrigiensis gathered solemnly back in 1915 dedicating this field to the victims and swearing to never forget. Not so, it turns out.

It seems that the word has a common origin with the name of the fated ship. Both are named after Hispania Lusitania, the ancient Iberian Roman province that included all of modern Portugal south of the Douro river and part of modern Spain. The name derives from the Lusitani or Lusitanian people who inhabited this region. There is a proud tradition in Massachusetts of Portuguese speaking peoples, starting with a wave of immigrants from Portugal who came in the nineteenth century to work in the textile mills of Massachusetts, then the capital of America’s industrial revolution, and continuing to the Brazilian of today . I should also perhaps mention the Portuguese who “secretly” fished George’s Bank for cod as early as the fifteenth century. The Portuguese in America formed societies referred to as Lusitania Social Clubs and it is believed that men from this club in the 1970’s cleared the land to use it as a soccer field.

Somehow this story does not diminish the place. History, after all, is history, and every place has its own traditions. I marvel for a while at the wildflowers and then move on.

9/11 from Space

Figure 1- Photograph by astronaut Frank Culbertson from the International Space Station showing the 9/11 attack on the World Trade Center in New York City. From NASA and in the public domain.

Figure 1- Photograph by astronaut Frank Culbertson from the International Space Station showing the 9/11 attack on the World Trade Center in New York City. From NASA and in the public domain.

Thursday marked the thirteenth anniversary of the 9/11 Attack on the World Trade Center.  I came upon this amazing photograph of the event taken by then NASA astronaut Frank Culbertson. Culbertson was the only American not present on the planet that September day.  He was ~ 250 miles (400 kilometers) above Earth in the, then under construction, International Space Station with two Russian cosmonauts. He saw the huge column of smoke streaming from Lower Manhattan, where the Twin Towers fell and captured both video and still photographs of site from space for NASA.

Culbertson recalls his call to the ground that morning to give the results of some physical exams to his flight surgeon at Mission Control Houston, Steve Hart, and was told, “Frank, we’re not having a very good day down here on Earth.”

Culbertson saw that the space station was about to pass over New England. So he grabbed his camera and positioned himself to have a clear view of New York City. Later, Culbertson was also able to see the damage to the Pentagon. Ironically, his good friend and U.S. Naval Academy classmate Charles “Chic” Burlingame was the pilot of hijacked American Airlines Flight 77 that struck the Pentagon.

“Every orbit we kept trying to see more of what was happening,” Culbertson said. “One of the most startling effects was that within about two orbits, all of the contrails that are normally crisscrossing the United States has disappeared because they had grounded all the airplanes and there was nobody else flying in U.S. airspace — except for one airplane that was leaving a contrail from the central U.S. toward Washington, and that was Air Force One headed back to D.C. with President Bush. It was a very sobering time for us.”

Photographic firsts #12 – The first mobile phone photograph

Figure 1 - The first publicaly shared mobile phone image. Transmitted on June 11, 1997 by Phillipe Kahn of his newborn daughter Sonya.  From the Wikimediacommons and put in the public domain by Phillipe Kahn.

Figure 1 – The first publicaly shared mobile phone image. Transmitted on June 11, 1997 by Phillipe Kahn of his newborn daughter Sophie. From the Wikimedia Commons and put in the public domain by Phillipe Kahn.

It’s been a while since I posted a photographic first. But this week brought us the IPhone 6, the IPhone6 plus, and the IWatch and this got me thinking about the rapid, blink of the eye, history of both the mobile phone and the digital camera on the mobile phone.  For those of us brought up on Star Trek, it has all been wonderful, although the flip phone, which was designed to give you the feel of the Star Trek communicator had only a brief moment in the sun or some other star before we move on.  Indeed, even standard Federation of Planets communicator models evolved rapidly through the seasons of the show.  The flip communicator rapidly became integrated into the Federation medallion worn by crews.  Even the short lived “red shirts” wore them.  Oops! I am digressing again.

I found myself wondering this morning what the first mobile phone image was.  It sounded like the kind of thing that I could find with a simple Google Search, and sure enough.  On June 11, 1997, Philippe Kahn instantly transmitted what is widely believed to be the first publicly shared photographs ever.  In some sense it marks the birth of social media.  The image shown in Figure 1, fittingly is of his then newborn daughter Sophie from the maternity ward. It was shared simultaneously with a then amazing 2000 people.

Look at the picture and note its relatively low resolution.  Do a quick calculation.  It was taken a mere seventeen years ago.  The telephone was invented somewhere between 1833 and 1876 – don’t want to weigh in on a controversial issue.  Television was invented a half century later.  The current rate of innovation is truly staggering.

The thigh bone’s connected to the hip bone

Figure 1- Image from Mars Rover showing putative "Thigh Bone." From NASA and in the public domain.

Figure 1- Image from Mars Rover showing putative “Thigh Bone.” From NASA and in the public domain.

Well jumpin’ pareidolia! The world of UFO enthusiasts and other wanna believers was set into an internet frenzy with NASA’s release last week of an image (see Figure 1) from the Mars Rover showing what looks very much like a human thigh bone.  Well sometimes a rock is just a rock, and such is the case here. Sorry!

I want to admit that there is nothing that would excite me more than the discovery of a fossil on Mars. And while Mars Rover has conclusively shown that Mars was once dripping in water, geologists and exobiologists think it very unlikely that Mars ever harbored large creatures – the atmosphere and environment are not believed to have ever been sufficiently sustaining for evolution to progress in that direction.

On the other hand, we may continue to wonder what if – and such is the thought provoking nature of images like this.  Mars indeed has long been a refuge for seeing things, for associating natural inanimate phenomena with objects of human or even divine origin.  There were the “Canals of Mars,” the “Face on Mars, “the Mars Rat,” and now this thigh bone.

Two years ago when I launched this blog, I promised that one of the points that it would feature was the pure magic of photographs.  Well, the Martian Thigh Bone now joins the ranks of images that titillate and fire off the associative neurons of our brains.  Just as we post our selfies in pursuit of connection, just as we look at nineteenth century photographs and see connectivity, so too we look at the alien worlds that NASA brings into crystal clarity and seek something familiar, a connection with what we know that goes beyond a bit of iron rich rock lying in the sand.  We seek the magic of the image.

Other worlds of the mind

In the mood for other worldliness I was struck last week by this dreamy photograph by Jim Urquhart for Reuters showing a scene from this years “Burning Man Arts and Music Festival” in the Black Rock Desert of Nevada.  The art installation shown is “Pulse and Bloom.” Once  a year tens of thousands of people descend upon the desert to create an arts city o:f art, community, self expression, and self reliance. A week later they depart leaving no trace of their having been there.

As for the picture, the dusty redness of the scene and of the clouds transports you visually to another, perhaps a Martian, world.  The indistinct but looming figure in the background evokes so many science fiction movies and thus creates a certain element of for foreboding.  Where do we go next? As our own world becomes so strange and mean, we all perhaps, begin to yearn for an element of utopian other worldliness.  This image, at least, gives us that escape.

 

 

Seduced by scarlet

We spoke recently about the dimensionality of a photograph and how adding color adds dimensions. The point is well taken, but is expressed in purely physical terms. Beyond its personification as wavelength adding color adds a psychological dimension as well because we associate colors with emotion.

I was attracted this morning to an interesting article on the BBC website about the color red, “How the colour red warps the mind,” by David Robson.  What attracted me to this article was a seductive photographs of lips covered with an intensive lipstick (from Getty Images).  I love the forties retro lipstick vogue currently in fashion.  But the point here is well taken: red, scarlet, crimson, or carmine lips are all shades of seduction.  Case in point, the Scarlet Whore of Babylon.

Red can symbolize seduction. It can also symbolize anger and aggression. Dobson cites some interesting studies that demonstrate a commanding edge that red can impart.  Two psychologists, Russell Hill and Robert Barton at the University of Durham, found that in the 2004 Olympics randomly assigned red clothes, for instance, in boxing and tae kwon do, gave competitors a distinct edge.  Similarly playing with red poker chips at casinos tend to make people bet more than people with blue or white chips. While men who wear red ties project authority and dominance in their workplaces.

Dobson shows a pair of photographs of a beautiful, and yes, seductive woman, in red and in blue (from Thinkstock). The images are fascinating.  I keep trying to figure out what my perception of the color effect is.  They both indicate elegance and style.  In both cases I have the sensation of smooth satin. The red one is intense, strong, and dominating.  While the blue one is soft, cool, and mellow.  I am not sure that I would characterize one as more sensual than the other, but the fact that they are evoking a different set of emotions is clear.

We already know that the perception of color is not merely a physical one but a physiological one as well.  But perception of color, and the its psychological effects, go way beyond the physiology of the firing of rods and cones in your retina.  It is a deeply seated brain function. This is what is unleashed, or harnessed depending upon your spin, when you add the dimension of color to a photograph.

British Wildlife Photography awards for 2014

It is time for something beautiful and fortunately for us the British Wildlife Awards have just been announced for 2014.  There is a lot to choose from among this year’s awardees, but if forced to make choices I’m going to vote, as “best of show” for the truly gorgeous and impressionist image by Peter Cairns, winner in the Wild Woods Category, entitled “Autumn Jewels, Woodland, Cairngorms.”  And then there is equally magnificent image, both the overall competition and the urban wildlife award winner, of a grey goose on the River Thames by Lee Acaster from Wortham in Suffolk.  The tonal quality and mood of the image are just wonderful, and you almost get the sense that the goose is just a bit confused by his very urban surroundings. Really wonderful! Note also the beautiful way that the light comes in from the left side. Oh, and really for fun take a look at Alan Price’s highly commended black and white image of two Jackdaws stealing wool from an all-knowing and amused sheep  in Gwynedd, Wales.

So here’s my suggestion.  First, get through your work day.  Then take a few moments to visit the competitions website and see all of the winners and commendations.  It will make for a good end to your day.

Compromising photographs

While we certainly have more significant issues to worry about, we were diverted Labor Day Monday morning by the revelation that hackers had hacked the Cloud and retrieved deleted naked photographs, real and faked of several actresses and models. Hmm! I suspect that there will be much more to this in the end. And also why would people take and store photographs of themselves in compromising positions? Well really it is a right in a free society.

And I think that there is a simple and profound lesson that goes to the heart of the evil side of the internet and social media. Yes, as with anything created by humans, there is both a positive and an evil side.

We may begin our search for the evil side with the story of Lady Godiva, before she became a chocolate, and the “Peeping Tom.”  It seems that Mrs. Godiva, or as legend goes, begged her husband, ruler of the local kingdom to reduce the taxes on the suffering people.  he agrees provided she will ride naked across town.  The lady in question it seems is able to cover her more private regions with her long tresses of golden hair.  Everyone stays indoors and doesn’t look except for this voyeur, named Tom, who peers through a hole at the Lady.  He is struck blind.  This latter point is significant.  I mean so much for “blessed are the merciful for they shall be shown mercy.” Ironically Godiva’s husband was Leofric, Earl of Mercia.

So I don’t think the Godiva story really relates.The point is not fear of reprisal but civilized action. And to this point, to me this current situation relates to certain private family letters by John Adams to his wife Abigail (July 24, 1775) then attending the Congressional Congress that eventually wrote the Declaration of Independence, in which Adams derogatorily expresses his impatience with certain members of the congress.

The two events may seem unrelated; but the point is this that gentlemen (gentle-people, people with class) do not read the private mail of other gentlemen. There is an implicit rule, a social contract, for members who value a free society and its free interchange and one that should be followed by people who wish to use the internet in an unhurt-full fashion. The term free society is key here. It is not an obligation it is civilized contract. While we probably cannot stop abuse of the internet and abuse of social media, we do not have to look at the garbage, to sneer, chuckle, or chortle at it. And this is also true of stating and restating political untruths over and over again until the seem real solely by repetition.  This is not ideal moralizing. Who is ultimately denigrated when one seeks out this kind of image?

East Indiaman, Friendship

Figure 1 -"Dory, Salem, MA." (c) DE Wolf 2014.

Figure 1 -“Dory, Salem, MA.” (c) DE Wolf 2014.

I wanted to post this morning another image that I took at the National Maritime Historic Site in Salem, MA on Sunday.  They have a beautiful reconstruction of an East Indiaman, Friendship that I was photographing.  It is easy to lose yourself in the beauty of the rigging and the masthead.  But I often find that the best photographs are in the details and not where you expect them to be, but more often at different angles and from behind.  This picture I took from as close to water level as possible, by descending the boat launch until my feet were just short of in the water, where I was crunching the dried poppers on the cobblestones. I was interested not in the ship itself but in the dory and the ladder.

This photograph for me is all about composition – like an etude.  I spent a good deal of time composing it. And was happy when the necessary image cropping proved to be minimal.  The goal was to capture the stillness, intensity, and high contrast of a warm summer’s day, where the light was so strong that it made you squint. There was a strong breeze, seen here as the glistening ripples on an otherwise calm surface.

Canon T2i with EF70-200mm f/4L USM lens at 109 mm, ISO 800, Aperture-Priority AE at 1/125th sec at F/16.0 with no exposure compensation.